re: New QSC Product - TouchMix
That too.
Or Junetember ~;-)~:wink:.
That too.
Or Junetember ~;-)~:wink:.
Up until the X32 that technology was quite expensive. Dunno how Behringer made it cheap but nobody else has been able to yet.Anyone have any guess as to why they didn't include recallable gains?
Up until the X32 that technology was quite expensive. Dunno how Behringer made it cheap but nobody else has been able to yet.
That's what the X32 has (digitally controlled analog preamps), what were you talking about?The only thing I remember being expensive was digitally controlled analog preamps in analog consoles.
That's what the X32 has (digitally controlled analog preamps), what were you talking about?
Exactly. The question was why the inexpensive QSC doesn't have them.Yamaha PM5000 with preamp recall option was pricey. Euphonix CS's were pricey.
Exactly. The question was why the inexpensive QSC doesn't have them.
Why does it need them?
Plus islet something happens and someone stumbles into the board, it gets touched in setup, tear down...whenever.I find recallable gains useful to give me a quick start point on a band I do often.
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Truthfully my view may be biased by too many years of bluegrass festivals with six minute changeovers, but I have found that with a band and mics I know, I can set all the gains on a system I haven't heard before after hearing one of them. Often I could make a good guess after just seeing where the festival tech had set the gains for sm58s.
These days in the club, if the line check sound check wasn't a comfort piece for the band, I could (and have) done without. I am confident I can set everything for a full five piece band using my mics blind, just leaving the bass di and keyboards as the things needing tweaking.
That puts recallable gains in the "nice to have" category, not the "deal breaker" category, especially since we are talking about micro sized boards with limited numbers of inputs.
In other words, if it is there, great I will use it. If it is not there, I am not going to loss sleep over it.
Its like the long list of "features" on a new truck. If they are included in the package I want great, if not I am not going running off to another manufacturer.
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Right on. How would you guys do it with analog? I go back to my point...its only 16 channels. It is a micro mixer. If you need it to do your job, what does that say?
Truthfully my view may be biased by too many years of bluegrass festivals with six minute changeovers, but I have found that with a band and mics I know, I can set all the gains on a system I haven't heard before after hearing one of them. Often I could make a good guess after just seeing where the festival tech had set the gains for sm58s.
These days in the club, if the line check sound check wasn't a comfort piece for the band, I could (and have) done without. I am confident I can set everything for a full five piece band using my mics blind, just leaving the bass di and keyboards as the things needing tweaking.
That puts recallable gains in the "nice to have" category, not the "deal breaker" category, especially since we are talking about micro sized boards with limited numbers of inputs.
In other words, if it is there, great I will use it. If it is not there, I am not going to loss sleep over it.
Its like the long list of "features" on a new truck. If they are included in the package I want great, if not I am not going running off to another manufacturer.
Sent from my DROID RAZR HD
I'm taking this as a challenge to find a band/form a band that you CAN'T set blind and you have to take the time to work through... might take a while...
Yeah guys, throw your lighters away cause rubbing sticks together is just as good when making fire...
Right on. How would you guys do it with analog? I go back to my point...its only 16 channels. It is a micro mixer. If you need it to do your job, what does that say?
Problem is this...MOST bands I know running their own sound have one or more members using IEM's. Tell that doesn't matter!