X32 Discussion

EQ manipulation with enconders under the screen.

What about Fixing the EQ manipulation from the controls under the screen, EQ from the dedicated EQ section is a breeze, but it's kinda stupid from the controls under the screen, instead we should have the parameters for band one on the first 3 encoders, and encoders 4-6 for band 2, and so forth... the way it's now is just cumberstone.
 
Re: X32 Tech Talk

The OP can decide which method is more efficient for his particular needs. My point about selecting and de-selecting safes for every show refers to the fact that the console memory retains all active 'safes'. So in order to load his default show, he must first de-select or turn off all the safes (if they are still on). Once the default scene is active, he must then select or turn on all the 'safes' needed to allow scene changes with only the effects changing. So unless I am missing something, there will be two separate actions regarding the 'safe' settings each time the board is used. One to turn off first, to load default show, and then one to turn on the safes. The other way would be if already off, load the default, then turn on 'safes'. At the end of the night, turn them off for the next time.

As others have posted, using 'safes' can be tricky and can cause major problems if one does not notice they are active (which is easy to do) or as you mention, if they are used without a good understanding of how they work. I know I am looking forward to learning more about them as Behringer puts out more seminars on that topic.

I had to check a couple of things at the console, and confirmed that not saving parameter safe and channel safe settings is only a "feature" of XControl, so one should set these settings to the preferred show settings before saving the final show preparation.
To avoid ticking individual boxes, the UTILITY button will toggle between individual box "Set" and whole column "All" setting.
If a show requires a complicated pattern of channel and parameter safes, the show should be saved with these settings, and an additional show with the initial scene should be saved with all safes turned off to initialize the show properly. Loading the show will then involve loading two shows in quick succession, it only takes a couple of seconds extra.

Maybe an idea for V2 would be to have the safes patterns storable as library "Safe Map" presets, and then being able to specify the recall of these presets at points in the showfile.?
 
Re: X32 (Tech Talk) scene safes - (& presets)

However - I would have liked ( would like - V2?) to have seen separate libraries for presets:

- Channel library - basically as now (though perhaps actually per channel
- separate libraries for EQ, DYN etc so that I could see a list of say EQ only settings for various uses e.g. a preset for Kick, for female vox, for AG etc and the same for dynamics etc.
At the moment can get a bit jumbled up and careful labelling of a preset is required.
While this isn't 100% of what you are after, you can almost do this already..

When you press the utility button while in the eq, dyn, etc... it will automagicaly select the proper filter for recall. This means that recalling some eq preset from a channel preset is a breeze.
 
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Re: Monitor out noise

I made some new measurements, gain is 84dB, giving about -3dB overall on most measurements except the monitor outs which are actually 3dB lower!
I also found some noise on output 9. Curves are 0db/oct, no smoothing, so the single tone noise is showing at real value.
Sorry, forgot to set the console to 48KHz. Again :blush:

I'll do similar measurements of the S16, maybe it is slightly quieter since the (digital) environment should be less noisy.

Mon L monR.JPG Mon R monL.JPG

Out01 ch1.jpg Out02 ch2.jpg Out03 ch3.jpg Out04ch4.jpg
Out05 ch5.JPG Out06 ch6.JPG Out07ch7.JPG Out08 ch8.JPG
Out09 ch9.JPG Out10ch10.JPG Out11 ch11.JPG Out12 ch12.JPG
Out13 ch13.JPG Out14 ch14.JPGOut15 ch15.JPG Out16 ch16.JPG
 
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Re: X32 (Tech Talk) scene safes - (& presets)

While this isn't 100% of what you are after, you can almost do this already..

When you press the utility button while in the eq, dyn, etc... it will automagicaly select the proper filter for recall. This means that recalling some eq preset from a channel preset is a breeze.
yep realise that - but can still get a bit jumbled and needs careful labelling.
I am going to trial an option of having bunch of basic presets in the library but set up in a logical fashion e.g. say all presets for drum kit in slots 10 to 30 , EG in another group etc - plus setting up "offline" libraries by saving presets once set up to USB and deleting from the desk. Thus I could set up say a load of EQ settings and a separate set of dynamic settings. These could be sorted into folders offline. When need a certain preset - load it into say slot 1 then into the particular channel. when want to get another for another channel again into slot one and apply to the channel .

So say I have a several EQ settings for female Vox and another group of basic dynamic settings for Vox - step 1 load the EQ preset into slot one and apply to the Vox channel ( recall EQ only) then select the Dynamic preset I want as a starting point and again load into say slot 1 of the presets and then load this into the the vox channel recalling only the dynamics. Might seem a bit slow but only use presets as a starting point and often want different ones especially for Live and studio mixing.

Nick
 
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Re: EQ manipulation with enconders under the screen.

What about Fixing the EQ manipulation from the controls under the screen, EQ from the dedicated EQ section is a breeze, but it's kinda stupid from the controls under the screen, instead we should have the parameters for band one on the first 3 encoders, and encoders 4-6 for band 2, and so forth... the way it's now is just cumbersome.

I also find this a bit cumbersome - however on the xcontrol works better ( especially with touch screen) as you can tap the options on the left to rapidly change between gain and frequency etc.
 
Re: Monitor out noise

I made some new measurements, gain is 84dB, giving about -3dB overall on most measurements except the monitor outs which are actually 3dB lower!
I also found some noise on output 9. Curves are 0db/oct, no smoothing, so the single tone noise is showing at real value.
Sorry, forgot to set the console to 48KHz. Again :blush:

I'll do similar measurements of the S16, maybe it is slightly quieter since the (digital) environment should be less noisy.

Mon L View attachment 6490 Mon R View attachment 6489

Out01 View attachment 6473 Out02 View attachment 6474 Out03 View attachment 6475 Out04View attachment 6476
Out05 View attachment 6477 Out06 View attachment 6478 Out07View attachment 6479 Out08 View attachment 6480
Out09 View attachment 6481 Out10View attachment 6482 Out11 View attachment 6483 Out12 View attachment 6484
Out13 View attachment 6485 Out14 View attachment 6486Out15 View attachment 6487 Out16 View attachment 6488

Hi Per,

I think you have precisely characterized the noise on the monitor outputs, and have demonstrated that it is there even if you are not hearing it.

Two things are surprising to me:

1) You are measuring a 30 db +/- noise spike, when I thought it was 9db, and a 9db notch audibly removes it (to my hearing);

2) Your noise floor across the board rises at low frequencies rather than at HF. Mine seemed to do the opposite.

And pardon my ignorance, but what does "gain is 84dB, giving about -3dB overall on most measurements except the monitor outs which are actually 3dB lower" mean?

Gain in your measurement system?

-3db overall relative to what?

I'm sure everyone but me knows what it means, but I'd appreciate explanation.

Nice work!

Thanks,
Dan

PS You seem to have significantly improved/cleaned up your measurement system, which should be useful in the future. And do you by any chance have another console available to measure?
 
Re: Monitor out noise

Hi Per,
I think you have precisely characterized the noise on the monitor outputs, and have demonstrated that it is there even if you are not hearing it.

Two things are surprising to me:

1) You are measuring a 30 db +/- noise spike, when I thought it was 9db, and a 9db notch audibly removes it (to my hearing);

2) Your noise floor across the board rises at low frequencies rather than at HF. Mine seemed to do the opposite.

And pardon my ignorance, but what does "gain is 84dB, giving about -3dB overall on most measurements except the monitor outs which are actually 3dB lower" mean?

Gain in your measurement system?

-3db overall relative to what?

<snip>

To go through the explanations first; the measurements are from recordings with a total gain of 84dB, and at that gain the noise rms is -3dB on the meter (relative to 0dB) indicating a noise floor of -87dBu. And incidentally, a -90dBu nose floor from the monitor outputs.
The spikes, which are steady frequencies, will have a true level that simply is what it is unlike the random noise which I'll get back to later.
The highest spike, at -6dB (-90dBu) is at the same level as the noise floor and represents a significant part and therefore clearly audible, lower it 9dB and it will start to blend in and disappear.
By not having any smoothing, steady single frequency noises will show up at their true level, the random noise, which doesnt have a true level at any given frequency, will register at a level determined by the energy/octave and the resolution of the fft. Like if you have a million frequencies all at the same level, and they combine to a 0dB rms reading, each frequency will then be at -60dB. With random noise, if you divide the spectrum into 1/100th of an octave pieces, a 0dB signal of pink noise will show as a line at -30 dB (sorry if I'm being patronising, just making sure we are on the same page and that I am on the right page)
Since my measuring system isn't a measuring system, but simply recordings run through the Voxengo SPAN spectrum analyzer, I suspect that the resolution might not be strictly f/100 from dc to upper limit, but might be fixed resolution below a certain frequency and might be somewhat stepped instead of continous in the rest of the spectrum, giving an incorrect shape to the spectrum curve. When you are measuring your equipment is guaranteed to use other resolutions and smoothing and might even employ a different slope (I'm using 0dB/oct) like a brown noise slope or an A-curve.
I haven't got access to a second board, but I could always ask the owner of the local sound company to let me measure their Pro2 for reference.
 
Re: X32 Discussion

No need to do that, you have the latest with all features, nothing else to gain with older versions.

I bought the x32 and intalled The latest update. The version that came with it was the 1.05. Can i install older updates and then reinstall the 1.13?
Thanks
 
XiControl, Ipad and/or firmware updates

Are there any new firmware updates planned soon, or updates to anything in the works before we see V2?

Can you guys please make it so the console/software remembers where you were before the sends on faders button was pressed, so it can return you to where you were before, instead of leaving you stranded in the aux send master section?

Sure would love to not have to hit the home button, then the dca page in the IPad app to prevent seeing that goofy blank DCA page with no faders.

It would be nice to see the scene recall / save page on the iPad app be less confusing sooner than later.

Thanks for all the hard work! Great job so far!
 
Re: X32 Discussion

I don't have access to a Yamaha console ATM so I can't defend what I'm saying. I may have my head completely up my butt..............

Mick Berg.

Well, I do seem to have my head well up said orifice. I apologize. The scene mamgement systems on the Yamahas and the X32 seem to be quite similar. I wish I could delete the post but I can't, so I'm going to look like an idiot for a while..............:blush:

So enjoy it while you can Mark!!:twisted:

Mick Berg.
 
Re: X32 Discussion

setting up a delayline how its made - is there an youtube video or so ?
 
Re: X32 Discussion

setting up a delayline how its made - is there an youtube video or so ?


Hello

Supposing you wish to double main stereo mix with delayed set of speakers, here is one way to do it:

Select ROUTING on right side of display
Select tab ANALOG OUT
Select outputs 13 & 14 ( for example ) and have output signal be L & R
On this same page you can adjust the delay.


Supposing you wish to have separate mix for delay speakers.

Use two buses to create stereo mix and adjust delay in the output of the bus as above
This option has parametric EQ on bus masters



Hope this helps...
 
Re: X32 Discussion

Use two buses to create stereo mix and adjust delay in the output of the bus as above
This option has parametric EQ on bus masters

This is the old fashion approach on a simple analog console.:twisted:

You have matrix outputs available on the X32. I would suggest to use these, but there are several ways of doing it. The real advantage with matrix outputs is that you are more flexible with crossover type of filters available in the eq.
 
X32 midi remote

I have a event coming, where I don't want to setup the X32 at FOH.

But during soundcheck and maybe show I want to have some more control on FOH position as with the ipad only. I could add a laptop also, but then I don't have a real hands on use either. Has anyone thought of this and tried something added to the laptop, like a midi fader (BCF2000 maybe)

What I'm really saying I do miss a remote console with build in wifi, on batteries if possible. That can be taken into the audience. :razz:
And when the beer throwing starts I can easily disappear.
 
Re: X32 Discussion

This is the old fashion approach on a simple analog console.:twisted:

You have matrix outputs available on the X32. I would suggest to use these, but there are several ways of doing it. The real advantage with matrix outputs is that you are more flexible with crossover type of filters available in the eq.


Hello


I was looking into matrix at first, but then discovered that there is not any particular advantage over my first proposal - the second proposal indeed stems from analog world and also gives more control over mix - think f.e. a long narrow hall. let´s assume mixer is only 1/3 way in - so 2/3 are behind mixer. At mixer position you have balance between lead singer and drums WITH acoustic output of the drums, but the further back you go the less there is acoustic sound direct from stage - so separate mix might be in place.

Of course if you are running p.a. for 345.000 person outdoor concert then we can forget about separate mix and just repeat main mix with delay. My personal experience is only of the narrow long hall...

I think we have same filters in all outputs - or have I missed something ?

EDIT - it seems that there is different filter for matrix - I just have not noticed - therefore I stand corrected.
 
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Re: X32 midi remote

I have a event coming, where I don't want to setup the X32 at FOH.

But during soundcheck and maybe show I want to have some more control on FOH position as with the ipad only. I could add a laptop also, but then I don't have a real hands on use either. Has anyone thought of this and tried something added to the laptop, like a midi fader (BCF2000 maybe)

What I'm really saying I do miss a remote console with build in wifi, on batteries if possible. That can be taken into the audience. :razz:
And when the beer throwing starts I can easily disappear.

Hi Antoon,

You would not be able to use the BCF2000 to control XControl, as it is not designed to work with MIDI controllers. Using a BCF2000 directly connected to the X32 to control faders, would also not be an option currently, as the current MIDI implementation supports only Scene Changes. Our development team is considering options for MIDI implementations, such as possible fader / mute controls, but nothing has been announced at this point. Uli Behringer commented on this subject in detail in his Q/A thread, you can find the post at this link: http://soundforums.net/varsity/4299-uli-behringer-music-group-q-22-print.html

Hope this answers your question.

Best Regards,
Joe Sanborn
Manager, Channel Marketing
MUSIC Group
BEHRINGER
 
Re: X32 midi remote

Isn't there a way to use something like touchosc to act as a translator or something, between the his midi interface and the OSC compatible mixer device?

Hi Antoon,

You would not be able to use the BCF2000 to control XControl, as it is not designed to work with MIDI controllers. Using a BCF2000 directly connected to the X32 to control faders, would also not be an option currently, as the current MIDI implementation supports only Scene Changes. Our development team is considering options for MIDI implementations, such as possible fader / mute controls, but nothing has been announced at this point. Uli Behringer commented on this subject in detail in his Q/A thread, you can find the post at this link: http://soundforums.net/varsity/4299-uli-behringer-music-group-q-22-print.html

Hope this answers your question.

Best Regards,
Joe Sanborn
Manager, Channel Marketing
MUSIC Group
BEHRINGER